Model 76D & Model 77
5.1サラウンドおよびステレオ対応モニタリングシステム,アンバランス・デジタル入力,バランス/アンバランス・デジタル出力

主な特長
- AES3 アンバランス・デジタル・オーディオ入力
- AES3 アンバランス・デジタル・オーディオ出力
- ベース・マネージメント機能
- ダウンミックス設定
- チャンネル・ミュート/ソロ
- レベル調整,リファレンスレベル,DIM
技術仕様
Model 76D Central Controller
General Audio
- Supported Sample Rates: 32, 44.1, 48, 88.2, 96, 176.4, and 192 kHz
- Word Length: 24 bits maximum
- Internal Processing: 32 bits
- Input-to-Output Latency: two samples (e.g., 0.042 milliseconds @ 48 kHz sample rate)
Digital Audio Inputs
- 5 (18 audio channels)
- Configuration: two surround (5.1) and three stereo
- Type: AES3 unbalanced (75 ohms/1 Vpp)
- Connectors: BNC (per IEC 60169-8 Amendment 2
Sample Rate Conversion (SRC)
- Application: available on Stereo Input C
- Input Sample Rate Range: 8 to 216 kHz, limited
- to 1/6 to 6 times the output sample rate
- Latency: 1 millisecond, nominal
Sync Source
- configured to follow L/R of currently selected input or signal connected to sync input
Sync Input
- Compatible Sources: word clock, DARS (AES11), bi-level video, tri-level video
- Jitter: 4 ns pp maximum
- Connector: BNC (per IEC 60169-8 Amendment 2)
- Termination: 75 ohms, selectable on/off
Digital Monitor Outputs
- 16 (eight pairs)
- Configuration: organized as two surround (5.1) and two stereo
- Dynamic Range: >135 dB
- Type: AES3 balanced (110 ohms/5 Vpp) or unbalanced (75 ohms/1 Vpp), selectable
- Connector: 25-pin female D-subminiature (DB-25F)
Configurable Input Delay
- 0 to 340 milliseconds @ 48 kHz sample rate (scales up or down depending on actual sample rate)
Post-Fader Monitor Output Level Offsets
- each surround and stereo channel independently adjustable in 0.5-dB steps over a ±12-dB range
Bass Management
- Supported Sample Rates: 44.1, 48, 88.2, and 96 kHz only
- Crossover Frequency and Type: ・ dB @ 40, 50, 60, or 80 Hz, symmetrical for low-pass and high-pass filters, maximally flat i
- Filter Slope: 12 or 24 dB/octave
- Overall Operation: independent on/off selectable for surround and stereo post-fader monitor outputs
Downmix
- Functions: surround to stereo, stereo to mono
- Surround to Stereo:
- L @ 0 or ・ dB; i
- R @ 0 or ・ dB; i
- C @ ・ or ・ dB summed with L and R; /l
- LFE @ full attenuation or ・ dB summed with L and R; i
- LS @ ・ or ・ dB summed with L; /l
- RS @ ・ or ・ dB summed with R; /l
- C, SUB, LS, and RS monitor outputs mute
- Stereo to Mono:
- L @ ・ dB summed with R @ ・ dB to C; /l
- L, R, LS, RS, and SUB monitor outputs mute
- For a surround input this results in the C output being the sum of L @ ・ or ・ dB, R @ ・ or ・ dB; C @ ・ or ・ dB, LFE @ full attenuation or ・ dB; LS @ ・ or ・ dB, and RS @ ・ or ・ dB @ 窶・ or